Fathomfolk by Eliza Chan

*** Review ***

Eliza Chan’s Fathomfolk emerges as a captivating blend of modern myth and political intrigue, set against the backdrop of the semi-submerged city of Tiankawi. As I delved into this fantastical world, I found myself drawn into a narrative brimming with revolution, magic, and the complexities of coexistence between humans and mythical beings. From the shimmering waters teeming with sirens and kappas to the towering skyscrapers where humans peer down upon their fathomfolk counterparts, Chan paints a vivid portrait of a society on the brink of upheaval.

From the outset, Fathomfolk promises an immersive experience, weaving together threads of Asian mythology and contemporary issues with finesse. Chan introduces us to Mira, a half-siren border guard determined to reform the repressive laws that govern fathomfolk, and Nami, an aristocratic water dragon whose arrival disrupts the delicate balance of power. As the narrative unfolds through alternating perspectives, including the enigmatic sea witch Cordelia, readers are plunged into a world of political maneuvering and social unrest.

One of the most striking aspects of Fathomfolk is its exploration of themes such as discrimination, xenophobia, and the struggle for equality. Through the lens of fantasy, Chan delves into complex issues that resonate with real-world parallels, offering a thought-provoking commentary on the human condition. While the story grapples with weighty subjects, including the refugee crisis and cultural integration, it is infused with moments of magic and wonder that elevate the narrative beyond mere allegory.

However, despite its ambitious scope, Fathomfolk occasionally falters in execution. The use of multiple perspectives and short chapters, while intended to add dynamism to the narrative, at times leads to a sense of disconnect from the characters. While the world-building is rich and immersive, some characters feel underdeveloped, and the romance subplot veers into predictable territory.

Yet, for all its flaws, Fathomfolk captivates with its lush descriptions and vibrant cast of mythical beings. The final quarter of the book delivers an epic and dramatic climax that underscores the stakes of the characters’ struggles, leaving readers eagerly anticipating the next installment. Despite its shortcomings, Fathomfolk remains a compelling and thought-provoking read, offering a fresh perspective on the fantasy genre.

In conclusion, Fathomfolk is a testament to Eliza Chan’s talent as a storyteller, blending elements of fantasy and social commentary with skill and imagination. While it may not be without its flaws, it is a novel that lingers in the mind long after the final page, inviting readers to ponder the complexities of coexistence and the power of resilience in the face of adversity. As I eagerly await the next chapter in the Drowned World duology, I find myself grateful for the opportunity to have journeyed through the shimmering depths of Tiankawi alongside its unforgettable inhabitants.